Kevin Whitehead

Kevin Whitehead is the jazz critic on NPR's Fresh Air with Terry Gross.

Widely written on American and improvised musics, Whitehead's articles have appeared in publications such as the Chicago Sun-Times, Village Voice, and Down Beat. He is the author of Why Jazz: A Concise Guide (2010) and New Dutch Swing (1998), and the jazz columnist for eMusic.com. His essays have appeared in numerous anthologies including Da Capo Best Music Writing 2006, Jazz: The First Century and The Cartoon Music Book.

Whitehead taught at the University of Kansas and Goucher College. He lives outside of Austin, Texas.

Music Reviews
2:20 pm
Wed February 13, 2013

Rudresh Mahanthappa: Bicultural Jazz, Ever Shifting

Credit Jimmy Katz / Courtesy of the artist
Rudresh Mahanthappa.

Originally published on Wed February 13, 2013 4:47 pm

Saxophonist Rudresh Mahanthappa's quartet can sound like it's cross-pollinating Indian classical music and vintage Captain Beefheart. That befits a bicultural saxophonist who grew up in Boulder, where his Hindu family had a Christmas tree. For a long time, Mahanthappa resisted combining jazz and Indian music — it was almost too obvious a trajectory. But then he got serious about it.

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Music Reviews
1:13 pm
Thu January 31, 2013

A 'Special Edition' Box Set Of Jack DeJohnette And Band

Credit Chris Griffith / Courtesy of the artist
Jack DeJohnette.

On a new box set collecting the first four albums of Jack DeJohnette and his band Special Edition, two discs are gems and the other two have their moments. DeJohnette's quartet-slash-quintet was fronted by smoking saxophonists on the way up, set loose on catchy riffs and melodies. The springy rhythm section could tweak the tempos like no one this side of '60s goddess Laura Nyro.

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Music Reviews
1:13 pm
Tue December 11, 2012

Bass Note: Mingus And The Jazz Workshop Concerts

Credit Ray Avery / CTS Images
Jazz great Charles Mingus performs at the Monterey Jazz Festival in September 1964.

Originally published on Tue December 11, 2012 7:28 pm

On a new box set from mail-order house Mosaic Records, Charles Mingus, The Jazz Workshop Concerts 1964-65, the jazz legend's bands usually number between five and eight players. The bassist often made those bands sound bigger. He'd been using midsize ensembles since the '50s, but his new ones were more flexible than ever, light on their feet but able to fill in backgrounds like a large group.

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