Taylor Haney
Taylor Haney is a producer and director for NPR's Morning Edition and Up First.
In 2022, he produced a Morning Edition series from Afghanistan on the anniversary of the U.S. withdrawal and return to Taliban rule. His work also brought him to Tunisia to produce stories on the country's elections and democratic backsliding 12 years after the Arab Spring.
He was in Des Moines for the 2020 Iowa Caucuses to produce a live broadcast from a coffee shop. He produced Politics is Personal, an audio/visual project ahead of the 2018 midterm elections that won a White House News Photographer Association Award. He was in Houston as Hurricane Harvey hit in 2017. He once spent a year investigating an old family story of a horse theft.
Some of his favorite work on Morning Edition has brought listeners moments of musical joy and ecstasy, including interviews with funk bassist Bootsy Collins and Inuk artist Tanya Tagaq.
As a Fulbright fellow, he studied Tibetan music in Dharamshala, India. Before joining NPR, he interned for KPCC in Pasadena, Calif., and earned a master's degree from USC's Annenberg School of Journalism.
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Musician esperanza spalding was in college when she became a fan of Brazilian singer Milton Nascimento. Now she's made an album with him.
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Morning Edition caught up with NPR’s John Ruwitch, who has covered China for decades. Here’s our conversation.
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NPR's Steve Inskeep speaks with U.S. Secretary of State Antony Blinken following his talks with Chinese leader Xi Jinping and top Chinese officials in Beijing.
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When asked whether his political activities put him in danger, Boris Nadezhdin quoted a proverb, "If you are afraid of wolves, you should not go to the forest."
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The charity Save Ukraine brought young Ukrainians to Washington D.C. to tell Congress about being abducted by Russia.
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People who lost their family and homes in the surprise incursion into Israel by Hamas reckon with the aftermath.
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NPR's Leila Fadel speaks with Mitski about her new album The Land Is Inhospitable and So Are We.
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A mural in Washington, D.C. depicts Americans wrongfully detained abroad and fades with time to represent passing days. Neda Sharghi's brother Emad imprisoned in Iran is one of those faces.
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Artist Mohsen Lihidheb collects objects that wash ashore in Zarzis, Tunisia. His collection is a tribute to the migrants who died trying to cross the Mediterranean.
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In Tunisia, 12 years after the revolution, citizens are still asking, "How do you expect me to make a living?"